把已有古典绘画中的人物、风景和物件重新组合成可活动的画面。油画肌理与拼贴边缘同时存在，图像的来源和重组方式比故事时代更能说明这种风格。Figures, landscapes and objects from classical paintings are recomposed into moving scenes. Oil-paint surfaces coexist with collage seams; image sourcing and recombination define the look more than a historical setting.
借用古典画作中的人物与环境，再让人物以剪贴般方式活动，原画肌理与荒诞重组构成鲜明反差。Characters and environments drawn from classical paintings move as cutout pieces, creating a clear contrast between inherited paint texture and absurd recombination.
官方商店公开宣传截图；未核实针对第三方画廊的转载许可，版权归权利人。Public promotional screenshot from the official store. Third-party gallery reuse permission has not been verified; rights remain with the rights holders.
The Procession to CalvaryThe Procession to Calvary
将文艺复兴画作剪裁成场景、道具和演员，以原有绘画的光影和细节构建新的构图。Renaissance paintings are cut into scenery, props and performers, using inherited lighting and detail to form new compositions.
官方商店公开宣传截图；未核实针对第三方画廊的转载许可，版权归权利人。Public promotional screenshot from the official store. Third-party gallery reuse permission has not been verified; rights remain with the rights holders.
延续名画拼贴，但更大范围地组合村镇、山川与人物，画面的精细度来自原作而非仿油画滤镜。It extends painting collage into villages, landscapes and ensembles of figures. Detail comes from the source paintings, not an oil-paint filter.
官方商店公开宣传截图；未核实针对第三方画廊的转载许可，版权归权利人。Public promotional screenshot from the official store. Third-party gallery reuse permission has not been verified; rights remain with the rights holders.
